From Europe to Charlotte- Hans Krug (Best of Guide- Charlotte, NC)

Charlotte homeowners who appreciate the luxury of streamlined European cabinetry will be excited to learn about our city’s newest showroom. Hans Krug, an international manufacturer of European designed and engineered cabinets, recently opened its flagship showroom in Charlotte’s renaissance Westside.

Hans Krug owner Tony Battah says the brand offers the same features and quality of high-end European cabinets such as SieMatic, Poggenpohl, Snaidero and Scavolini, at a fraction of the price.

“Our cabinets use Blum premium hardware, the TANDEMBOX plus system and optional motorized Servodrive,” says Tony. Blum hardware is known throughout the industry for its integrated drawer slide system, which closes drawers and doors silently and effortlessly.

“Our friendly prices and short turnaround times will setHans Krug apart in the market,” says Tony, who explains that the cabinets are all made to order in less than ten weeks. “That’s less time than it takes most American based cabinet companies, at a cost that is less than a kitchen at a big box store.”

German kitchen designer Michael Schlütter is the product and design manager for the Hans Krug line. Michael developed his passion for kitchen design at the age of 16, working as an apprentice in his father’s kitchen design studio in Germany. He studied business management in Boca Raton, Florida before returning to Germany to work for SieMatic Kitchens. He was also a kitchen designer and project manager for 3er Kitchens in Munich, Germany.

Now Michael is enjoying the challenge of setting the standards of excellence for Hans Krug showrooms, which will soon open across the world. Showroom openings planned for 2014 include Singapore, Manila, Taiwan, Munich, Miami, New York, Dallas, Chicago and Los Angeles.

T he Hans Krug showroom in Charlotte is also a Miele premiere store, the largest in North Carolina, with more than 50 Miele products on display. Hans Krug partnered with Cosentino for its Silestone countertops and with Harkey Tile & Stone for the beautiful countertop fabrication. The result is a showroom that Tony calls ‘a cook’s dream.’

With more than 28 different finishes on the cabinets and over 370 sizes, Hans Krug promises to have something for everyone’s taste. “We have a wide range, from modern cabinets with electric drawers to classic and transitional,” says Tony.

Open Monday through Saturday from 9 a.m. to 6 p.m., the Hans Krug showroom is on the corner of Freedom Drive and Morehead Street. The showroom welcomes the general public, builders, architects and designers.

Visit the showroom at 1500-B West Morehead Street in Charlotte, NC, 28208. Call 704-370-0809 or visit www.hanskrug.com for more information.

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Why Hire An Interior Designer- Charlotte, NC (Oct/Nov 2012)

Written by Anne Marie Ashley
Traci Zeller Design /Dustin Peck Photography

Your home is distinctive; it’s a reflection of your personality and your lifestyle and hiring a professional to help you design the perfect space allows you to focus on enjoying it. Hiring an interior designer can take expression of your style to a whole new level while taking the pressure off to get the job done in your free time. We spoke with the experts at the American Society of Interior Designers (ASID) for the Carolinas to get some tips on hiring the perfect designer for you.

How do homeowners hire the right designer? Designing the interiors of your home is as
personal as selecting your wardrobe, so choosing a professional that understands your style is key to loving the finished product. Have an idea of what you’d like your space to look like and use inspiration from magazines and design websites to get your message across to the designer.

ASID offers some key considerations when hiring a designer:
• Is the professional accredited as an interior designer? (If required in your state, be sure
the designer is licensed)
• Does the designer have experience in the type of project you are doing?
• Has he/she demonstrated creativity, talent and resourcefulness in their portfolio?
• Is the designer attentive, responsive and do they communicate well with you?
• Be sure the designer has a record of reliability and good work habits.
What can a professional interior designer bring to the table?

As ASID points out, when you hire an interior designer, you get the benefit of an experienced professional who can solve problems, help you avoid costly mistakes and, most importantly, create an attractive, affordable space designed specifically to meet your lifestyle needs. Interior designers offer a trained eye that can help you bring your vision to
life, possibly in ways you never imagined. They also provide specification and purchasing services for materials, furniture, accessories and art, some of which you might not be able to find on your own.

What should homeowners expect to pay for an interior design project? Designers, like other professionals, are different from one another in their combinations of talents, knowledge, experience, and specialties.

What and how they charge will vary accordingly. Here, ASID outlines the common methods or combined methods for residential designers, tailored to fit the client’s needs:
• Fixed fee (or flat fee) — The designer identifies a specific sum to cover costs, exclusive of reimbursement for expenses. One total fee applies to the complete range of services, from conceptual development through layouts, specifications and final installation.

• Hourly fee — Compensation is based on actual time expended by the designer on a project or specific service.
• Cost plus — A designer purchases materials, furnishings and services (e.g., carpentry, drapery workrooms, picture framing, etc.) at cost and sells to the client at the designer’s cost plus a specified percentage agreed to with the client to compensate for the designer’s time and effort.

ASID offers this final word about cost: How you choose to furnish your interior and how you work with your designer will have tremendous impact on the final cost of the project. Items such as antiques or custom-made furniture, and modifications that involve altering or moving load-bearing walls or beams will significantly increase the cost of your project, as will requesting changes mid-project or making excessive demands on the designer’s time. The more research and planning you do before you start, the more you will be able to help keep costs down during the project.

To find an interior designer in Charlotte, please visit www.asidcarolinas.org
or www.interiordesignsociety.org for more information.

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Why the Room Works- Charlotte, NC (Oct/Nov 2012)

Written by Anne Marie Ashley

We asked Lana Helda, of Lana Helda Design in Charlotte, to give us the rundown on one of her favorite client spaces. Here, she explains how the project came together and outlines some of the key design elements she used to create it.

Lana Helda: I recognized the challenge in this uptown dining room project after my
first meeting with my newlywed clients. I felt it was necessary to appeal to both his contemporary style and her warmer, slightly more traditional sense. I approached this complex design fusion with a layering effect and provided a space they both felt
was perfectly tailored to their desires.

The textured wall adds warmth and makes a great backdrop. It has multiple levels of warm
tones, along with a touch of shimmer created from the addition of bits of gold and silver paint. I further accentuated the wall, while maintaining its luster, by choosing round gold leaf medallions by Arteriors Home.

This layered more texture while giving the wall the final accent. Well-directed and balanced lighting is critical for creating great ambience. I selected soft lighting accents to enhance warmth and richness and bring a sense of elegance. The Swarovski crystal chandelier is
contemporary but adds the sparkle and drama every dining room needs.

The rug is one of the items I like to select first, as it is becomes the basis from which the colors of the room evolve. This Tibetan wool and silk transitional rug by Stark Carpet mimics the same warm neutral colors in the wall and sets an elegant and modern tone to the room.

The dining chairs are a custom design using a java-finished frame with clean distinct lines and buttercream leather upholstery. The leather reinforces the lush cream tones in the rug while providing a rich durable finish that is sumptuous to the touch. The buffet, by Marge Carson Inc., is my favorite part of the space.

It’s elegant and timeless, yet clean and modern. The table, a very modern design also from Marge Carson Inc., is sleek yet classic enough for almost any style room. Although a dining room is sometimes less used than other rooms, it should still make a statement that sets a tone for the rest of the home. Entertaining itself is a labor of love. A beautiful, inviting dining room draws your guests in, making them feel they are in a special place.

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Sanctuary- Feature Home in Charlotte, NC (Oct/Nov 2012)

Written by Nancy Atkinson
Photography by Jim Schmid  It was the house everyone in Charlotte was interested in but no one would buy. Until self-proclaimed “serial remodelers” Joy and Michael Palermo walked through its doors.

“We almost didn’t buy it,” said Joy Palermo. She described breaking down after their tenth walk-through of the house with architect Frank Smith and builder Ben Collins of the Salins Group.

Joy explained that the house had a nice exterior but was so quirky on the inside that it turned people off. “The rooms were dark, the flow was bad and one of the bedrooms had no windows,” she said. “The interior walls were 16” thick cement and could not be moved.”
But the biggest design challenge would be adding an upstairs wing with bedrooms for the couple’s four children – within their budget.

Thankfully, at the eleventh hour, the team created a plan to make the Mediterranean style home a perfect fit for the Palermo family. Joy, an interior designer who graduated from the Fashion Institute of Technology, and her husband Michael, a banker who shares his wife’s love of remodeling and her sense of style, began working closely with architect Frank Smith on the design of the home.“I have always loved Frank’s style,” she said. “He and I discovered we both love the book Villa by architect John Saladino (known for creating serenely timeless interiors). We decided that’s where we wanted to go with it, and it grew from there.”

“We are so busy all the time,” said Joy. “I wanted to create an environment that made us feel really protected, a space that was cozy and soothing.”

Joy used a very calming color palette to create an overall feeling of symmetry. She mixed furniture and accessories from her other houses with new items selected specifically for this home.

“Antiques bought in Paris sit beside things from IKEA,” she said. “It’s a great eclectic mix of high and low, old and new, pulled together with the neutral tone.”

When asked about her favorite architectural detail Joy is quick to mention the courtyard with its new pool. “I love the courtyard,” she said. Previously unusable space, it was Frank’s idea to put in a pool. Now the family hangs out there all the time.

Joy laughs when she says the questions people ask the most are, ‘How can you live through a renovation like this with four children and how do you stay married?’ But the Palermos have renovated a total of five homes together in their 15-year marriage and they truly love the process.

“This house is unlike any of our other houses,” she said. “We have done the Southern thing and the Georgian thing, but this home is our little cocoon inside Charlotte. When you are here it feels like you could be anywhere in the world, even France or Italy. It is like you are on a vacation at home.”

And though she already has her next dream project in mind (a fisherman’s cottage in the Hamptons – done in all white) she admits this home could be a keeper.

“This house is beyond what I had envisioned,” said Joy. “It truly is one of those houses that is once in a lifetime – the house everybody wanted but nobody wanted. I am just so glad we saw the potential.”

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Daring Transitions- (Charlotte June/July 2012 Issue)

Written by Nancy Atkinson

Every year, the National Kitchen & Bath Association (NKBA) surveys the design industry to learn more about the materials, styles and products designers used most often in the past year. The fixtures, finishes, color palettes, technology and shapes are all part of the toolbox used by the nation’s most creative kitchen and bath designers – and their picks set the trends that inspire the rest of us.

The NKBA recently held their Kitchen & Bath Industry Show in Chicago, where they released a list of the nation’s top ten kitchen and bath trends and treatments for 2012 and we’ve outlined them for an easy go-to guide.

Transitional Style. One broad trend is the increased popularity of transitional style in both kitchen and baths. For the first time since the NKBA began tracking annual design trends, traditional is no longer the most popular type of design. Transitional style blends traditional and contemporary design, with lines that are simpler than traditional, but more elaborate than contemporary to create a modern, classic look.

Cassie Abernethy, manager at the Charlotte showroom for Hughes Supply, says understated design is in demand. “Our customers are asking for simplicity.  They want clean lines and less detail.  The transitional style fits all of those requests. Clients can use this in their traditional and contemporary settings.”

Glossy Finishes and Fixtures. Current kitchens shine with a combination of shimmering surfaces, high-sheen finishes and perfectly placed lighting accents. Stainless steel, walnut wood veneer and lights along the base of a kitchen island’s recessed toe-kick and polished wood floors are perfect examples of this prominent trend.

Interior Concrete. Concrete used inside the home continues to grow in popularity and is seen in many different contexts. Think bathroom countertops with integrated sinks or concrete surfaces buffed to a high shine and tinted with a variety of hues. When used with stone surfaces like recycled tile, exposed brick or lava rock, concrete unifies the space.

Color Infusion Behind Glass. Glass may be a niche material for kitchen countertops, but the survey shows more than half the NKBA designers are using it in several ways. One kitchen in the design competition inspired the judges with its simple painted wall and glass panels overlaid to create a sleek sheen of cool color that became a calm focal point in a family kitchen.

Jennifer Creasser of Tile Collection in Charlotte suggests incorporating colored tiles in a different way. “Say good bye to painting over the scuff marks on your stair raisers every year,” she says. “With color infused glass, you can add a whole new dimension to your stairway and dress up your high traffic areas with color.”

The White Kitchen, Reinvented. Classic, contemporary and clean, the white kitchen is consistent from year to year. This year it’s cleverly reinvented in a variety of hues including muted, milky tones.

Jennifer has also noticed this trend with designers, seeing their use of White Carrera marble countertops. With a backsplash of flickering metals, color or glass, it really pops. “Traditional material meets contemporary tile finishes in popular linear designs to create a transitional look,” she says.

Suspended Lighting. In kitchen design, suspended lighting provides an element of artistic sculpture that exudes light, glimmer and glitz. These dangling focal points drop light onto defined areas, perfectly accenting the high-sheen finishes that are so wonderful in this year’s kitchen designs.

Symmetry in Design. Symmetry in room design creates stability and balance. For example, a wall with a large framed window behind the kitchen sink will be counterbalanced by open, glass door cabinetry that draws the eye up and around the room.

Repeating and Complementing Shapes. Designers know that repeating a particular shape in various sizes, colors and textures creates a continuum that adds a soothing element to any room design. In a bathroom for instance, a designer may use large squares of travertine on the floor, glass mosaics in the shower and a series of square windows to draw the eye up and repeat the theme.

Traditional Technology in Non-Traditional Spaces. Creative designers are using today’s technology to solve design challenges in the kitchen. Fridge drawers that are integrated into the sleek lines of cabinetry and a steam oven placed where sink plumbing once existed create solutions to kitchen space problems.

Tile in Totality. Designers are using tile for more than the wall, floor and bathroom space. One bathroom design presented at the 2012 NKAB Design Competition featured translucent recycled glass tiles surrounding a Japanese soaking tub. Muted pine green tiles were paired with small mosaic tiles in colors that evoked a tranquil sunset. Linen-textured, sand colored porcelain tiles created the foundation for a restful space wrapped entirely in glass tile.

Open Concept Bathroom. The space-efficient and sleek open-plan bathroom was highlighted in this year’s designs. With few walls, these expansive bathrooms have an entirely open shower and a minimalist product selection approach. By eliminating the shower stall and extending the open floor, the room becomes a sweeping space.

Resources
www.advancedrenovations.com
www.andrewroby.com
www.arborconstructiongroup.com
www.mybeconstruction.com
www.benhambuilders.com
www.bistanydesign.com
www.cosentinonorthamerica.com
www.crossvilletileandstone.com
www.e3cabinets.com
www.hughessupply.com
www.impactdesignresources.com
www.lanternbuilders.com
www.myschultzcustomhome.com
www.sheacustom.com
www.stone-systems.com
www.tilecollection.com
www.wolfappliance.com
www.zarcustomhomes.com

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